The
temple features:
This
temple is located in Madurai 452 kms from Chennai.
The carpet area
of the temple is 6,84,000sqft and is built East facing . This temple
has 12 towers, four of the tallest stand at the outer walls of the
temple. The 48.4m high southern tower is the most spectacular and has
over 1500 sculptures. (from its top, it is possible to obtain a
panoramic view of the city.) The King tower on the eastern side is an
unfinished structure which has a 174 perimeter base and had this
tower been completed, it would surely have been the largest of its
kind in the country. The eight smaller towers are within the
compounds of the twin temples.
The
deity is called Sunderaswar in the east facing pose.It is said the
deity is self incarnated. The Lord's consort Devi Meenakshi has separate sanctum facing east.
The temple tree is 'Kadamba'. and It
has three theerthams those are Potramarai tank, Ezhlu kadal, and
Vaigai There are many stone inscriptions in this temple giving the
history of the kshetram
The
saint who sang hymns on the Lord:
Thirugana-sambandhar.
Legend
is Madurai was
originally a forest called Kadambavanam. One day a farmer named
Dhananjaya was passing through the forest. Fortunately the farmer saw
Indra who was worshipping a swayambhu Eswara (self incarnated lingam)
under a Kadamba tree. As soon as he saw this he immediately reported
about this to King Kulasekara Pandya. The king went to the forest,
cleared it and constructed a temple around the lingam. The city of
Madurai was planned with the temple as its centre. On the day of
dedication of the temple amirtham (nector) fell from Lord Siva's hair
on the town. Hence it was named Madhurapuri. Later the name was
modified as Madurai.
History:More
than 2,500 years old with a rich cultural heritage and history
Madurai is situated on the banks of river Vaigai and is the second
largest city of Tamil Nadu. Madurai was built by the King Kulasekara
Pandyan in the 6th century BC. The recorded history of Madurai
emerges sometime during the 3rd century BC when it was the prosperous
capital of Pandya dynasty with trading contacts with Greece and Rome.
Megasthenes, the Greek Ambassador to the Court of the Mauryas, refers
to the Pandyan princes who ruled over Madurai in 320 BC.
The
next major rulers of Madurai were the Vijayanagara dynasty who won
over the territory in 1371. They appointed the Nayakars as governors
who in time became powerful in their own right. The 200 - year old
reign of the Nayakars marks the golden period of Madurai when art,
architecture and learning scaled new heights. In fact, the most
beautiful buildings in the city including its most famous landmark,
the Meenakshi temple, are Nayak contributions. Among Nayakas,
Thirumalai Nayaka (1623-1659) was very popular since it was he who
contributed to the creation of many magnificent structures in and
around Madurai. The King tower (Raja Gopuram) of the Meenakshi Amman
Temple, The Pudu Mandapam and The Thirumalai Nayakar's Mahal are
living monuments to his artistic taste.
The
Ashta Shakti Mandapam was built by Thirumalai Nayak's wives
Rudrapathi Ammal and Tholima-ammai. The sculpted pillars of this
mandapam tell the story of the great rulers of Madurai. The marriage
hall was built by the daughter of King Malayatwaja pandian to perform
Lord Siva & Meenakshi's marriage. Madurai passed on to the East
India Company in 1781 with George Procter as the first collector of
Madurai. In 1840 the Company razed the fort, which had previously
surrounded the city and filled the moat. Four streets called Veli
streets, which were constructed on top of the fill till today define
the limits of the old city. After India's independence, Madurai is
one of the major districts of Tamil Nadu.
In
the Kambathadi Mandapam there is an unique idol of Nataraja dancing
with his right leg raised to the shoulder instead of the left leg
which is the usual with all Nataraja idols. This idol is covered with
silver leaves. Hence this hall is named as Velli Ambalam (Silver
sabha).
There is a legend to explain why the Lord was dancing with
his right leg raised. Once Malaiyatwaja pandiya the king of Madurai
was learning dancing. But after each lesson he felt severe pain in
his legs. The king thought to himself ' The Lord is performing the
dance on the left leg only for yugas while it pains severely even
though I dance on both my legs. How painful it should be to the Lord
dancing on one leg. Even thinking of it is very pain full.' Therefore
the king went to Siva and prayed to the Lord to accede to his request
that the Lord should dance on his right leg instead of the left leg.
The
Lord appeared before him and acknowledged his desire and the Lord
danced with his right leg for king Pandian.
Henceforth 'Velli
ambalam' became one of the five Nataraja sabhas. .
Pancha
Sabha Temples of Lord Siva are as follows:1. Chidambaram
(gold) 2. Madurai (silver) 3. Tirunelveli (copper) 4. Tiruvalankadu
(ruby) 5. Kutralam (pictures) These are revered as the five Cosmic
Dance Halls of Lord Siva
The
Portamarai-kulam or the golden lotus tank is the place where the
Tamil literary society called Sangam used to meet to decide the
merits of literary works presented to them. The manuscripts that sank
in the tank were dismissed while those that floated were considered
to be great works of literature. A pillared corridor surrounds the
tank. The temple museum is housed in the hall with 985 richly carved
pillars each one surpassing the other in beauty. More scenes from the
celestial wedding can be seen in the Vasantha Mandapam. Icons,
pictures and drawings exhibiting the 1200 years old history of the
temple can be seen in the museum. It was constructed by Tirumalai
Nayakar and is used during the celebration of the festival in
April-May. Just outside this mandapam, towards the west, are the
Musical Pillars. Each pillar when stuck with a small stone produces a
different musical note